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in
plain view producer-writer-director
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Orestes
escaped from Cuba on an airplane to Mexico before immigrating
legally to the United States and becoming an American
Citizen without a single penny in his pocket, literally,
and knowing no one in Mexico.
After
living in Mexico illegally for exactly ninety days, Orestes
arrived in the United States, October 30, 1964,
literally without a cent in his pocket and without speaking
the English language. He settled in Titusville, Florida
and worked nine hours a day, six days a week washing dishes
at a restaurant called the “Ranch House” at
a weekly pay of thirty dollars.
Soon after, Orestes became a short order cook and worked
on Cocoa Beach before moving to Miami. In Miami he worked
as a cook, a clothing salesman and a car salesman. The
first month as a car salesman he lived sparsely, eating
only one apple and half a slice of white toast every three
days until he finally sold his first car one month later.
That special day he had a feast.
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Orestes
Matacena
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A
dreamer at heart with an entrepreneurial mindset, Orestes
decided it was time to
start up a playhouse. His first theater was in the living
room of his Miami apartment that he shared with his girlfriend
Phyllis Baldwin, a North Carolina bombshell. Then, he rented
an office space and founded “Theater 66” with
Cuban actor/director, Miguel Ponce. They produced ten plays
together at that theater.
Two years later, 1968, Orestes moved to New York. With only
a few dollars in his pocket and knowing no one, he had no
other choice but to sleep at the Port Authority bus station
for a few days. By the fourth month of his arrival, he raised
$25,000 and was producing and acting in his first Off-Broadway
play called “The Grab Bag.”
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In
1969, Orestes and Miguel founded "The
New York Theater of the Americas," where they produced
more than thirty original plays. Orestes acted in many of
the productions, playing a variety of roles ranging from
a scruffy dog to an Italian Count, and directed his first
play. Miguel’s role was primarily as a director.
Not only
did Orestes work in his own playhouse, but he was hired
as an actor in many prestigious New York
theater companies such as "Cafe La Mamma," "Stage
73," "Dume," "The Henry Street Playhouse," “INTAR” and "The
Astor Place Theater."
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Years
later, in 1975, Orestes founded “The
New York Cuban Cultural Center” along with Ruben Rabasa,
Ivan Acosta and Clara Hernandez, where they produced twelve
plays, recitals, poetry nights, art exhibitions and political
debates about the Cuban Communist tyrannical situation oppressing
the people living in that beautiful island. Thanks to Ivan,
the Center is still part of the New York scene.
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